6.8/10
Bro Review
Director
Samuthirakani
Genre
Action
Stars
Pawan Kalyan, Sai Dharam Tej, Ketika Sharma, Priya Prakash Varrier, Brahmanandam, Subbaraju
Writer
Sreevathson, Viji, Samuthirakani
Producer
T. G. Vishwa Prasad, Vivek Kuchibotla
Runtime
133 minutes
Deals
Release Date
July 28, 2023
"BRO" tells the story of Markandeya, or Mark, portrayed by Sai Tej, who carries the weight of his family's responsibilities on his young shoulders. His life takes an unexpected turn when he encounters Titan, played by Pawan Kalyan, who grants him a second chance at life. With 90 days to live, Mark decides to ensure his family's well-being, only to question whether they ever truly needed his protection. The film explores profound themes of personal agency and the impact of our actions on others. However, it becomes entangled in commercial elements, including references to Pawan Kalyan's political ideologies and songs, diluting its emotional core. Despite the charismatic pairing of Sai Tej and Pawan Kalyan, "BRO" falls short of its potential as a heartwarming and introspective narrative, leaving viewers with a sense of missed opportunity.
Bro Review
In the Telugu film “BRO,” directed by Samuthirakani and featuring Sai Tej and Pawan Kalyan, a poignant theme of family responsibility takes center stage. Markandeya, also known as Mark (Sai Tej), bears the weight of taking care of his family, leaving him with little time for himself. However, his life takes an unexpected turn when he encounters Titan (Pawan Kalyan), who grants him a second chance at life. While the film’s central message resonates, its execution falls short, filled with references to Pawan Kalyan’s political ideologies and commercial elements that dilute the emotional core.
The Heartwarming Theme Lost in Commercialization:
“BRO” explores a heartwarming and thought-provoking concept – the control we have over our lives and the responsibility to ensure our actions do no harm to others. However, in its attempt to appeal to a wider audience, the film is cluttered with duets, special numbers, and references to Pawan Kalyan’s career, often at the expense of the film’s emotional depth.
The Charismatic Duo:
The film’s central strength lies in the charismatic pairing of Sai Tej and Pawan Kalyan. Their chemistry is comfortable, though it could have been more intense given the story’s demands. Pawan Kalyan’s effortless swagger in songs like “Emi Sodara” and “Vayyari Bhama” is a delight for fans. Sai Tej, while excelling in comedic and action sequences, struggles with emotional scenes.
Supporting Cast and Women’s Roles:
Rohini portrays Mark’s mother, Priya Varrier plays one of his sisters, and Ketika Sharma is his lover. While the female characters do have moments of strength, they are also confined to stereotypical emotional roles. Brahmanandam’s cameo could have been better integrated.
Technical Aspects:
Thaman’s music is subpar, but his background score enhances certain crucial parts of the film. Sujith Vaassudev’s cinematography is satisfactory, while the film is let down by VFX and costume departments.
Conclusion:
“BRO” could have been a poignant exploration of a man forced to mature prematurely, losing sight of life’s true essence in the process. Instead, it loses momentum as it progresses, with its message drowned out by commercial elements. The film misses the opportunity to deliver a powerful narrative, making it a disappointing venture. While Sai Tej and Pawan Kalyan’s partnership shines, “BRO” ultimately falls short of its potential, leaving viewers with a sense of missed opportunity.
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Trivia
- In "BRO," the character Titan, played by Pawan Kalyan, marks a significant collaboration between the superstar and director Samuthirakani. This partnership created substantial buzz and anticipation among fans, as it brought together two prominent figures in Telugu cinema.
Goofs
- During a pivotal scene in the film where Markandeya (Sai Tej) confronts Titan (Pawan Kalyan), there is a noticeable continuity error regarding the position of Titan's jacket. In one shot, his jacket is buttoned up, but in the subsequent shot, it is unbuttoned, then buttoned again, creating inconsistency in his appearance throughout the scene. This continuity error momentarily distracts viewers from the intensity of the confrontation.